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Thursday, 11 December 2014

Central Film School

At Central Film School the first thing I learnt is that in my short film is that would the audience be able to follow it from beginning to end. How do you make the audience guess what happens next. I also learnt the true meaning of originality in film. Originality in film is not something you create directly from scratch but rather the things that you tie into your movies and be creative about it. That is what makes someone creative.

Central Film School taught me that how the actors act and what we see on screen is completely different. In another way of speaking the frame alters all aspects of truth. The frame is what you see and what you interpret from in the film thus positioning within the frame is essential. 

If you look at someone from one angle it can show one message however if you look at that person from another angle then they may be showing another message. the angle of the face of the actor matters as well to integrate the emotion perfectly into the film.


This image can be used to show that different angles can show completely different emotions of a characters facial expression.

While on the subject of angle I also learnt that the actor has to face in the right direction in order to make it seem believable. What I mean by this is if you look at a mirror you see yourself correct? Well in film if you look at yourself through the mirror the audience sees the camera so the actor has to adjust the mirror angle to see the camera and act like they see themselves while the audience thinks they are looking at the mirror because the frame shows that.

It is essential that the camera always tracks the characters face when the character has screen time.

One rule that actors use most of the time is to avoid as much eye contact as you can especially during conversation unless the situation demands that you do. If eye contact is avoided it may be seen as any casual talk while if there is eye contact then the atmosphere may become more tense.

Actors react before they speak to show clear signs of their emotions and their intent and this is evident in many movies. It emphasizes on the characters emotion thus creating a dramatic effect.
Take Tom Cruise as an example. In all his movies he takes a long pause just to react and this builds up the anticipation of the audience and in the end it works great in film.






Wednesday, 10 December 2014

Thriller Opening Mood Board

My group did a mood board to get the general idea on what to do for the opening and we tried to pit in all the ideas we had in our mind but it kinda messed up a bit but only a bit so its ok.




We also did a video to try and explain the concept of our opening and again it turned out pretty messy sooo... yeah here it is


Action Thriller Script

A Draft Copy of the Script


Action Thriller – Script 1

Setting: Camera in dark room panning from right to left pointing at room, police breach door.

Police 1: Lights! Now! (Pointing at switch advancing away from the camera)

Police 2: Power’s down (Flicking switch) He must have known…

Police 1: Forget it then (Taking out flashlight) search the living room

(Shadow dashes past the camera)

(Camera place on top of the counter behind knife stack shadow looming over)

(Camera following police 1 in the kitchen, parallel shot to close up of police 2)

Police 2: (Making confused face, looking down)

(Camera pan to white powder trail leading to couch)

(Parallel shot to police 1 near the fridge)

Police 1: (pull note taped on the fridge looking intensely at it)

Police 2: (POV shot of police 2 pulling out couch cushion finding bags of cocaine and blood soaked bandage)

(Close up shot of police 2 with shadow over him)

Police 1: (Coming out of the door) Hey I think I found something… (Flashlight pointing to police 2)

(Show silhouette of criminal stabbing police 2)

(Police 1 shoot criminals in shoulder / Criminal picks up gun from police 2 and run)

(Police 1 go to police 2 to check his pulse then run out of door, check corridor to find blood trails)

(Follow blood to bannister look down criminal shoot shoulder of police 1)

(Police 1 struggles down the stairs and find criminal 1 running away POV shot police 1 aiming down sight to criminal blurry)

Black screen gunshot heard


NEXT SCENE


Police 1: (Looking at photo of police 2 and bill of plastic surgery) I can't believe it, no wonder we couldn't trace his ID . <--- (This Line Needs Fixing)

(Camera panning out of scenario with picture of police 1 on the floor with puddle near it showing reflection)


Props: Any handgun of choice, 357 magnum, plastic bag bag filled with flour, bandages, cranberry juice???

Costume:
Polices: Dress shirt with dress pants and shoes with kevlar body armor, fake knife, Accessories can be added
Criminal: Any dark clothing covering most of your body except face

Comedy Thriller Script

22 Jump Street esque script
Draft 1

setting: Apartment complex low light location

(Camera w/ 2 shot of the gansters)

Gangster1: yo man you sure this guy got the cash
Gangster2: yeah man, hey I even got some new hardware prepared for this shit take a look at these baby
Gangster1: yo man that can only hold 6 shots man dat is some bullshit
Gangster2: hey man 1 shot 1 kill
Gangster1: every gun is 1 shot 1 kill man gaddamn
Gangster2: but we asian doe
Gangster1: man shutup, we gonna bust through that door and we gonna do it right aight
Gangster2: alright cuz lets do dis

(pitbull dont stop the party played for 5 secinds then disc scratch)
(Guy in wife beaters sitting in the middle of the room eating noodles staring at them)

Gangster2: well shit...
Gangster1: (stare at gangster 2 ) you piece of...

(camera pan to the corridor outside of the room)

man: DIU LE LO MO GET DA FAK OUT

(door shuts 2 shot closeup of the two gangsters)

Gangster1: this is the third time now dumbass get yo shit together
Gangster2: hold on lemme check mah notes man....(check notes) ohh sorry man one more floor down
Gangster1: yeah it better be otherwise imma whoop your ass

(camera faced to staircases on the lower floor)
(wideshot of the 2 on both side of door in between)
(close up of gangster1)
Gangster1: you ready
(close up of gangster2)
Gangster2:(cocking gun) been waiting for a long time man
(close up od gangster1)
gangster1:(cut to in the middle of cocking gun) lets do dis

(play pitbull dont stop the party)
(camera angle to the other side of the wall)
(gangsters breach door then stylized credit come up with actors name)
(action montage shooting down mafia inside the room while putting stylized credits for some scenes)

(gangsters kick down final door)
both gangsters: whatsup bitch
(both shoot then walkaway in slowmo)

(longshot of gangsters walking away)
(when boss on chair drops onto the floor play song turn down for what)
(gangsters dance and at some point accidently high five each other and bullet ricochet to sniper on roof)
(bullet hit sniper in the head then stylized credit of movie name with sniper blood)

END

Costumes
Gangsters: well... gangster like
Mafia: mobster type outfit (fedora, suit, etc.,)


1 minute film

This project required us to fit in at least six thriller sub genres into a video clip that is one minute long ... well ... that didn't turn out so well. We ended up adding an extra 30 sec to the video but it's alright right? ... (pls don't deduct marks from me).

Anyway my group consisted of Bib, X and of course me. I had a lot of fun
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This was the initial planning of this video.
 

Se7en Conventions

This is the padlet that I did with X and Bib about the conventions of the thriller Se7en